Lily is a passionate artist, and, like Mr. Ramsay, she worries over the fate of her work, fearing that her paintings will be hung in attics or tossed absentmindedly under a couch. Conventional femininity, represented by Mrs. Ramsay in the form of marriage and family, confounds Lily, and she rejects it. The recurring memory of Charles Tansley insisting that women can neither paint nor write deepens her anxiety. It is with these self-doubts that she begins her portrait of Mrs. Ramsay at the beginning of the novel, a portrait riddled with problems that she is unable to solve. But Lily undergoes a drastic transformation over the course of the novel, evolving from a woman who cannot make sense of the shapes and colors that she tries to reproduce into an artist who achieves her vision and, more important, overcomes the anxieties that have kept her from it. By the end of the novel, Lily, a serious and diligent worker, puts into practice all that she has learned from Mrs. Ramsay. Much like the woman she so greatly admires, she is able to craft something beautiful and lasting from the ephemeral materials around her—the changing light, the view of the bay. Her artistic achievement suggests a larger sense of completeness in that she finally feels united with Mr. Ramsay and the rational, intellectual sphere that he represents.