The Chorus, a single actor, enters and introduces the plot of the play. It will involve neither love nor war, he tells us, but instead will trace the “form of Faustus’ fortunes” (Prologue.
The Chorus’s introduction to the play links Doctor Faustus to the tradition of Greek tragedy, in which a chorus traditionally comments on the action. Although we tend to think of a chorus as a group of people or singers, it can also be composed of only one character. Here, the Chorus not only gives us background information about Faustus’s life and education but also explicitly tells us that his swelling pride will lead to his downfall. The story that we are about to see is compared to the Greek myth of Icarus, a boy whose father, Daedalus, gave him wings made out of feathers and beeswax. Icarus did not heed his father’s warning and flew too close the sun, causing his wings to melt and sending him plunging to his death. In the same way, the Chorus tells us, Faustus will “mount above his reach” and suffer the consequences (Prologue.
The way that the Chorus introduces Faustus, the play’s protagonist, is significant, since it reflects a commitment to Renaissance values. The European Renaissance of the fifteenth and sixteenth centuries witnessed a rebirth of interest in classical learning and inaugurated a new emphasis on the individual in painting and literature. In the medieval era that preceded the Renaissance, the focus of scholarship was on God and theology; in the fifteenth and sixteenth centuries, the focus turned toward the study of humankind and the natural world, culminating in the birth of modern science in the work of men like Galileo Galilei and Isaac Newton.
The Prologue locates its drama squarely in the Renaissance world, where humanistic values hold sway. Classical and medieval literature typically focuses on the lives of the great and famous—saints or kings or ancient heroes. But this play, the Chorus insists, will focus not on ancient battles between Rome and Carthage, or on the “courts of kings” or the “pomp of proud audacious deeds” (Prologue.